Chapter 40
The movement of the Dao is cyclical return;
The function of the Dao lies in gentle yielding.
All things under heaven arise from Being (有),
Yet Being itself is born of Non-being (无).
Annotations:
1. 反者道之动 (Cyclical Return is the Dao’s Movement):
- “反” (Return): Signifies perpetual reversal and cosmic equilibrium—extremes inevitably revert to their opposites (e.g., seasons cycle, the moon wanes after fullness).
- Example: Plants sprout in spring, flourish in summer, wither in autumn, and rest in winter—death and rebirth in endless rhythm.
弱者道之用 (Gentle Yielding is the Dao’s Function):
Laozi’s axiom: “To remain tender is true strength” (守柔曰强). What appears fragile harbors enduring power.
Dialectic of Being (有) and Non-being (无):
Example: A clay pot’s utility (Being) arises from its hollow interior (Non-being); a house’s livability (Being) depends on its empty windows and doors (Non-being).
Philosophical Implications:
(From Tao Te Ching Chapter 40, this passage distills the Dao’s core principles—cyclicality, softness, and the interdependence of Being/Non-being. It urges transcending appearances to grasp fundamental truths.)
Key Terms:
- Cyclical Return (反): Translated to emphasize both spatial (“return”) and temporal (“cyclical”) dimensions of the Dao’s motion.
- Gentle Yielding (弱): Avoids the negative connotation of “weakness”; highlights strategic flexibility.
- Non-being (无): Rendered as “Non-being” (vs. “nothingness”) to denote generative emptiness.
Stylistic Choices:
- Retained Chinese terms (有, 无) with italics and translations in parentheses for conceptual clarity.
- Used paired examples (clay pots, seasons) to bridge abstract ideas and sensory experience.
- Anchored cosmic principles in everyday metaphors (e.g., wind eroding mountains) for relatability.
Nuance Preservation:
- Emphasized the Dao’s paradoxical efficacy—achieving through non-coercion, creating through emptiness.
- Contrasted “cyclical return” (natural balance) with linear human notions of progress.
- Highlighted the priority of Non-being—what is “absent” (space, potential) often holds greater creative power than what is “present.”